<scp>Post‐Impressionism</scp> : Universal, British, Global

نویسندگان

چکیده

Starting from the possibility of a ‘global’ account style, this essay examines consequences idea post-impressionism. Around 1910, Roger Fry drew on histories world art and international historiography to cast post-impressionism as putatively universal, style that was not just new development, but rediscovery natural form artistic creation. Seen way, also had potential go global: have causal role in development multiple modernisms following its spatial circulation across globe. The goes explore first how even within Britain local variations divisions quickly came undercut specifically British articulation universal style. It then turns aspects post-impressionism's subsequent circulations India, Nigeria, Japan, China examine further putative universalism transformed variety locally specific ways.

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ژورنال

عنوان ژورنال: Art History

سال: 2022

ISSN: ['1467-8365', '0141-6790']

DOI: https://doi.org/10.1111/1467-8365.12659